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Wagner, Richard

  • Elsa's Procession to the Cathedral (rental)
    Elsa's Procession to the Cathedral (rental)
    * Rental Terms Instrumentation   1st (solo) Flute 2nd (solo) Flute 3rd (solo) Flute Flutes Piccolos   1st (solo) Oboe 2nd (solo) Oboe English Horn in F 1st (solo) Bassoon 2nd & 3rd (soli) Bassoons   Clarinets in Eb 1st (solo) Clarinet in Bb 2nd (solo) Clarinet in Bb   1st Clarinets in Bb 2nd Clarinets in Bb (Solo) Bass Clarinet in Bb   Sopranino Saxophone in Eb... * Rental Terms Instrumentation   1st (solo) Flute 2nd (solo) Flute 3rd ...
  • Elsa's Procession to the Cathedral (Rental)
    Elsa's Procession to the Cathedral (Rental)
    * Rental Terms Picc.(3rd Fl.) Fl.1&2 Ob.1&2 E.Hrn. Bsn.1&2 Eb Cl. Bb Cl.1,2&3 A.Cl. B.Cl. CbCl. S.Sax. A.Sax.1&2 T.Sax. B.Sax. Bass.Sax.(opt.)Trp.1,2&3 Hrn.1,2,3&4 Trb.1&2 B.Trb. Euph. Tuba St.Bass HarpTimp. Perc.1-4 S.D. B.D. Cymb. Sus.Cymb. Tam-tam Tri. Chims.Chorus I Flgl.(Trp.) A.Hrn.(or Euph.) Baritone1&2 Chorus II Trp.(div.) Trb.1,2&3  * Rental Terms Picc.(3rd Fl.) Fl.1&2 Ob.1&2 E.Hrn. Bsn.1&2 Eb Cl. ...
  • Liebestod from Tristan und Isolde
    Liebestod
    from Tristan und Isolde
    In December 1856, when Wagner was at work on the first act of Siegfried, he became obsessed with a melodic idea he associated with the legend of Tristan and Isolde. He subsequently broke away from his work on the Ring Cycle until his opera based on Tristan and Isolde was completed. The Prelude and Liebestod (or Love-Death) constitutes the very beginning and end of the opera, in an orchestral... In December 1856, when Wagner was at work on the first act of Siegfried, he...   
  • Lohengrin Selections from Act Ⅲ (Rental)
    Lohengrin
    Selections from Act Ⅲ (Rental)
    * Rental Terms Fl. 1, 2 & 3 Picc. (Fl. 4) Ob. 1 & 2 Ob. 3  (E-Hrn.) Eb Cl. Cl. 1, 2 & 3 A. Cl. B. Cl. Contra B. Cl. S. Sax. A. Sax. 1 & 2 T. Sax. B. Sax. Bsn. 1, 2, & 3  Hrn. 1, 2, 3 & 4 Cor. 1 & 2 (Opt) Trp. 1, 2 & 3 Trb. 1 & 2 Euph. Tuba St. Bass [Antiphonal] Trp.1, 2, 3, 4 & 5Timp. Tri. Bell Tenor Dr. Cym. Tamb. Mari. Harp.   * Rental Terms Fl. 1, 2 & 3 Picc. (Fl. 4) Ob. 1 & 2 Ob. 3  (E-Hrn...
  • Prelude to Act 1, Die Meistersinger
    Prelude to Act 1, Die Meistersinger
    A faithful new transcription for full wind ensemble instrumentation by the director of the Osaka Symphonic Band. Kimura is recognized for his meticulous sense of detail and voice application. Instrumentation Picc. Fl.1-2 Ob.1-2 Bsn.1-2 Eb Cl. Bb Cl.1-3 Eb A.Cl. B.Cl. S.Sax. A.Sax. T.Sax. B.Sax. Cor.1-2 Trp.1-3 Hrn.1-4 Trb.1-2 B.Trb. Euph. Tuba St.Bass Harp Timp. Cym. Tri. A faithful new transcription for full wind ensemble instrumentation by the di...
  • Die Meistersinger von Nurnberg Selections from (Rental)
    Die Meistersinger von Nurnberg
    Selections from (Rental)
    * Rental Terms Picc. Fl. 1 & 2 Ob. 1 & 2 Bsn. 1 & 2 Eb Cl. Cl. 1 & 2 A. Cl. B. Cl. Contra B. Cl. S. Sax. A. Sax. 1 & 2 T. Sax. B. Sax. Trp. 1, 2 & 3 Hrn. 1, 2, 3 & 4 Trb. 1 & 2 B. Trb. Euph. (Div.) Tuba (Div.) St. BassTimp. Tri. S. Dr. Crush  Cym. Sus. Cym. B. Dr. Glock. Vib. Mari. Harp * Rental Terms Picc. Fl. 1 & 2 Ob. 1 & 2 Bsn. 1 & 2 Eb Cl. Cl. 1 &...
  • Elsa's Procession to the Cathedral (score)
    Elsa's Procession to the Cathedral (score)
    Instrumentation   1st (solo) Flute 2nd (solo) Flute 3rd (solo) Flute Flutes Piccolos   1st (solo) Oboe 2nd (solo) Oboe English Horn in F 1st (solo) Bassoon 2nd & 3rd (soli) Bassoons   Clarinets in Eb 1st (solo) Clarinet in Bb 2nd (solo) Clarinet in Bb   1st Clarinets in Bb 2nd Clarinets in Bb (Solo) Bass Clarinet in Bb   Sopranino Saxophone in Eb Soprano Saxophones... Instrumentation   1st (solo) Flute 2nd (solo) Flute 3rd (solo) Flute Fl...  
  • Liebestod from Tristan und Isolde (score)
    Liebestod from Tristan und Isolde (score)
    In December 1856, when Wagner was at work on the first act of Siegfried, he became obsessed with a melodic idea he associated with the legend of Tristan and Isolde. He subsequently broke away from his work on the Ring Cycle until his opera based on Tristan and Isolde was completed. The Prelude and Liebestod (or Love-Death) constitutes the very beginning and end of the opera, in an orchestral... In December 1856, when Wagner was at work on the first act of Siegfried, he...